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FLOOD MANUSCRIPTS ...teach a man to fish... |
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'Rise and Fall of the Rosito Brothers' by Kevin Stone. Crime/Adventure/Literary. Assess (FMss Feb'10) Thanks, Tom, I think. No, really. Everything you say rings true, and I’m deeply grateful for your comments. I laboured over my first novel Faith through forty drafts and over twenty years, so if nothing else I think you’ve shown me how to go from this first draft to something much tighter, without so much agony and despair. I’ll start working on it soon and will definitely be getting back to you. 'Pitman Street' by Christina Mowle. Literary. Assess. (FMss Feb '10) Thank you and Trevor very much for this helpful report – and such a speedy response! I had steeled myself for a wait of several weeks. It is a delight to have someone pay such close attention to it and I will enjoy fixing the problems Trevor has highlighted. I am very encouraged by the warm response. 'Varlet' by Vaya Cross. YAFantasy. Assess (FMss Feb '10) Please pass on my thanks to Trevor. He has given me some very useful feedback and some great suggestions for me to think through. I will eventually resubmit my work once I have worked through my manuscript again. I may have a few questions about some changes I might make once I have fully processed the feedback, but I will let you know. 'All In A Txt' by Kristy Lee. Chicklit/LifeStories Assess (FMss Jan '10)Thank you so much, Tom. You definitely have confirmed some of my own thoughts on this one and given me some great pointers to improve on. I also didn't really like the first few chapters as they didn't grip me let alone someone else! I'll have a thorough read over the weekend and get to work on some amendments. If you would be keen to review a resubmission later on that would be great if you could face it again!! 'The Queen Is Dead' by Jes Judge. Sci-fi/Crime. 99,961 words. Assess (FMss Jan '10) Thanks for the assessment. The comments were really helpful. I've started
revising the ms and you'll be hearing from me again. 'The Unlikely Prospect of a Wave' by Derek Baines. Literary. 58,290 words. Assess. (FMss Nov '09) Thank you for your feedback. I found it very useful.Your thoughts, particularly on the second half of the manuscript (that the 'Australian end' of the story needs some building-up), are certainly in line with some other comments I have had from a colleague. I agree with them too. I shall be doing some re-drafting over the next week or so to incorporate your various suggestions. 'Cricket For Bunnies' by Graham Denton. Sports Manual. Assess. (FMss Nov '09) I have just recieved your assessment report on 'cricket for bunnies'. Many thanks. I had no idea exactly what your work involved, but everything that you have outlined makes great sense to me. I am encouraged to continue with the project and will submit a more polished presentation to you in the near future hopefully. Thank you again. 'Foreword', The Best Australian Poems 2009, ed. Robert Adamson. Copyedit (FMss Sept '09) Thanks, it reads better now. Yes, you're right about the need for a more solid statement. Once I knew I had you to count on, I didn't have to worry about making mistakes and then the writing started to flow. This is great now. I have another 24 hours to come up with some killer sentence as good as Webb's containing something I want to get across about poetry in this country. Published Nov 2009, Black Inc. 'The Pendant' by Fran Lazner. Speculative. 111,033 words. Assess.(FMss Sept '09) Reassess (Nov '09) I’m a passionate doubter, especially when it comes to my own abilities. So I took the praise and comments of the numerous family members and friends who read my manuscript (one even read the whole thing!) with a bucket of salt. After listening to their comments and countless rewrites, I felt like I hadn’t really progressed much beyond my first draft. Then I took a leap of faith and handed my story over to Trevor for appraisal. It was the best thing I could have done. Trevor’s report was encouraging, insightful and blunt where necessary, and it made me see my writing in a different light. He also showed me exactly where I was going astray and gave me solid advice on how to fix the problems. This is what I learnt: I can write (big sigh of relief), I can’t punctuate (LOL), I have an unhealthy penchant for melodramatic villains and a manuscript that is worth persevering with. As I write this, I am waiting on Trevor’s reappraisal, and I know that his feedback will be exactly what I need to get to the next step, and my dream of one day being a published author. The Italians have a saying - grazie mille - which literally means ‘a thousand thanks’. Grazie mille Trevor! 'The voice of Beast' by Tabitha Bird. Memoir. 81,535 words. Assess. (FMss Nov '09) Thank you. And I find myself writing those two little words and realizing how very little they actually are. But thank you anyway, despite the smallness of the words. The honesty in your evaluation was priceless. You can’t pay for integrity. You did more than feedback to me on the issues that needed fixing, you showed me my manuscript in a new light. That is what I was looking for. Outside eyes that could see what I was having trouble focusing on. I have known for a while that this MS is not ready and needed work. But I could not define the issues. 'Aramanthe's Wall' by Geoff Hilton. Speculative Utopian. 263,981 words. Assess.(FMss Sept '09) Thanks very much for the effort you have put into assessing my manuscript. I started off wondering if I could write. I paid no attention to the market place and just let my imagination take over. I found it an absolutely marvellous experience. You have brought me down to earth - gently. The inspiration to write still remains strong but I obviously need to be smarter if I am to find a market for my stories. I am going to follow your advice by putting Aramanthes' Wall aside for the time being and concentrating on creating a new work. Eighty to a hundred thousand words; market oriented; award oriented; and a page turner. I will also incorporate the lessons taken from your critique. Hopefully at some point in the future, you will be around to assess the outcome. 'Wish' by Colin Cortie. YAFantasy. 78,713 words. Assess. (FMss Sept '09) Thanks for the ms report, I think it was dead on in terms of accuracy. The problems you identified in terms of my middle section were excellent: I knew I had some problems but didn't really know what they were; you cleared that up for me nicely. The advice concerning re-writing the book from the draft is challenging but worthwhile, I will do as you suggest. Most of all I would like to thank Trevor for his kind words and support: I had suspected that 'Wish' was actually quite good, but it’s good to hear that from a more objective reader! 'The Adventure of Kayl: The Everlasting Edict' by Liam Charlesworth. Fantasy. 196,286 words. Assess. (FMss Aug/ Sept '09) I’d just like to offer my thanks to you once again for taking the time to work through my manuscript. You helped put a lot of things into perspective for me and already I’ve taken my first few steps into improving my writing. It’ll be a long road, I’m sure, but it’s one I intend to walk along until the end, no matter the hardships I must face. When the time comes that my future manuscript is completed, I will certainly contact you again. 'The King of Mount Hotham: My Father' by Gillian Salmon. Bioraphy/Memoir. 133,717 words. Assess. (FMss Aug '09 'Thank you for the honest connection – I never know why people just don’t come out and say what they think. Nobody ever does that, so it makes you wonder if they are honest or not. They usually take the easy way out and say 'It was wonderful.’ Your assessment is exactly what I needed - at last something I can work with. What a shame I had not found you years ago. It would have saved me hours, weeks, months of trying to put everything into perspective myself. It must be so good to be able to see the whole picture as you do. 'Principia Mathemagica' by S.F.Winser. Fantasy. 65,602 words. Assess. (FMss Aug '09) Thank you (and Trevor, of course!) for this. Most of it was straightforward and clear. The notes on structure were along the lines of stuff I already knew, but needed a kick up the backside to fix. Inserts removed. Exposition heavy chapters and epilogues trimmed, torn asunder and scattered. A lazy plot-point redefined to make it feel less clumsy. There were a couple of times where Trevor thought I was underestimating the reader... when I think I was actually underestimating the writer. Most of the other stuff was... surprisingly helpful. They always tell you to kill your darlings; so rarely do you get sent a list of your darlings' names and addresses - and a loaded gun.'Hummingbird' by Ami-Louise Sharpe. Children's story. 3,261 words. Assess. (FMss July '09) I realised that I never properly thanked you for helping me with my children's
story, Hummingbird. So my sincere apologies for that, but thank you, your
advice was a huge help! I've since re-worked the ending, tidied up all the
grammatical errors etc and have recently sent it to Black Dog Books. So now the
waiting begins... I've recently made a start on story number 2. Wow! Thankyou for your positive feedback, it really means a lot! I appreciate
you looking at my story and you have given me the confidence to pursue my little goal further.
I will
have a go at sending it out as it is. Again, thanks so much for your time and
critique, I am so grateful. 'Graveyard or Glory' by Scott Bennett. History. 128,857 words. Mentor (FMs Dec '08 - May '09)LoR. Assessment as 'Dark Somme Flowing'. 152,513 words. (FMss Sept '08) After a long stretch of researching and writing in isolation, I came across Tom's website. It was with some trepidation that I rang Tom and passed on my non-fiction manuscript, which had never been read by anyone. As any writer knows, this is a vulnerable moment. I received Tom's report a few weeks later. It was comprehensive and covered all the technical components of writing, many of which I was blissfully ignorant of (conjunctive adjectives, writer's voice). Tom's detailed comments were incisive and brutally honest (which I wanted and needed). Balanced with the brutal honesty were sincere words of encouragment, which provided me with the confidence to continue. I used the report as a map to shape my slab of 160k words into a more evenly weighted manuscript of 120k words. Throughout the edit, I returned to Tom's report 20-30 times, using it as a guide throughout. I resubmitted my trimmed down manuscript a second time and received further insighful comments from Tom. I then sent my manuscript to a literary agent and was signed up within a week; another week and I had signed up with my preferred publisher, with the book planned for launch in early 2010. None of this would have been possible without Tom's help and mentoring. I am forever grateful. Accepted, ALM, June '09. Contract, Scribe, July '09. Release April 2010.'Evil Nation' by Ila Lessing. Literary/Crime. 57,793 words. Copyedit (FMs May-June 09)LoR. Express Assessment (FMss April 09) Tom's assessment report was encouraging but also an eye-opener for a first-timer like me. I could tell from the report that he completely understood what I was trying to achieve with the manuscript. Whereas I knew something was amiss, I could not put my finger on it. Tom managed to identify the problem areas with accuracy, sensitivity and insight. He made a few strategic suggestions which lead to a revision. After implementing his suggestions in the rework, the disjointed parts fitted together, the point of view became more balanced and the ending was well-rounded. I realised at this point that I was in expert hands and that Tom added immeasurable value to my manuscript.As a next step Tom did the copy-editing. He fixed my numerous errors but never changed the essence of the manuscript. I now feel confident enough to start submitting the ms to agents & publishers. I want to thank Tom for his diplomacy, patience and professionalism and can recommend working with him wholeheartedly.'Island of Fire' by Alex Meehan. Fantasy. 69,489 words. Assess. (FMss May '09) Thanks, Tom, this is a very encouraging assessment. I confess to being a bit shell-shocked - one of the reasons for my delayed response. You're right about the ending, and a proper epilogue should work nicely. I'll get cracking on it and the other minor revisions. 'My Mummy is an Angel Fairy now'. Children's Fiction. 771 words. Express Assessment. (FMss May 09) 'Fractured Fairytales' by Allison Grabham. Children's Verse. 380 words. Express Assessment. (FMss Mar 09) I have recently found an agent overseas who was interested in my work. The only thing I needed was a report on my manuscript. I searched the web and after trying many editors I discovered Tom Flood. Of all the people I contacted, he was the only one who could help me. Tom was happy to answer all of my questions (which helped a lot). He was able to fit my job in and get it done in record time at a very reasonable rate. His evaluation helped me enormously as a children’s writer and I look forward to using his services more in the future. 'The Frightened Yellow Vest' by Mal Briggs. Children's Fiction. 1985 words.
Assess (FMss April '09)
Excellent dissection. I will take all your comments on board and work towards a total reworking. Having crossed this appraisal bridge, I will no doubt come back to you at some time in the future, whether with a reworked manuscript or another. 'Spirit of the Jaguar' Reassess (FMss July '09) formerly 'The Jaguar Prince' by Christina Clark. YA Fantasy. Assess (FMss Jan '09) At the end of last year, I entered my young adult manuscript, 'Spirit of the Jaguar', into the FAW Jim Hamilton Award competition. It didn't win, but I've just heard that it received a Commended, so I'm very pleased with that. I just wanted to thank you once again for helping me out last year with your assesment - I definitely wouldn't even have considered entering if not for your encouragement. // Many thanks for the reassessment. Commas – wish I could fill a bucket with them, pour them over the pages, and let them absorb into their rightful places by osmosis! Anyway, I shall now tooth-comb for my last mistakes, re-work my query letter and synopsis, and get going. Thanks for the info on the publisher/agent books and websites, and also on the Text YA Book Prize. Writing competitions had never occurred to me, but I’ll definitely give it a go – nothing to lose. Considering my lack of writing credentials, any such credits and Letters of Recommendation may just swing the balance and entice someone to actually read the ms. // Many thanks for the assessment of my novel. I was greatly relieved to receive your positive comments, and look forward to following your suggestions for improvement. A few of the structural points you picked up on had in fact been niggling me for some time – so it’s something of a relief to have them aired openly! Commended, 2009 FAW Jim Hamilton Award.‘Around The Persian Garden’ by David Morriset. Romance/Adventure. Reassessment (FMss July 09) Assessment. (FMs Dec 08) Many thanks for your assessment on my manuscript. While you have convinced me that I still have some extensive work to do, your comments have opened up some highly attractive options for the addition of some new layers to the narrative. Incidentally, I am astounded that you identified accurately some remnants of earlier drafts that I thought I had successfully woven into the draft I submitted to you. You picked the seams with impressive precision! The bottom line is that I feel encouraged and excited by your suggestions about taking a story with some potential and driving to the next level. By the time I complete the next draft I am confident it will read much less like a biography – or a “bad work diary” as you described a rather clumsy early part of the narrative. Hopefully, in a few months, I will have a multi-layered story that actually takes the reader to the sidelines – and occasionally on to the actual playing field – of one the twentieth century’s most significant political reversals. Again, many thanks for your help. 'Pepper Gets Lost' by Barry Parker, Creative ID. Illustrated Chapter Book. Proof. (FMss Sept 08) 'Just wanted to say thanks for the proof read – all corrected now and my wife is
going to read and check I have made all the corrections. There may be a couple
of questions/clarifications. Also wanted to say that it was the best mark
up I have seen since London – I followed it very easily. To Kill A Priest by J.J.Barrie. Crime. Assessment & Mentor. 118,991 words. (FMss April-Sept 08) Writing is a very lonely profession, and like all of us, I needed assistance and critique. I naively sought a manuscript assessment, thinking the MS was finished. After a devastatingly honest first report, three months of numerous emails and hard rewriting followed. Only then did I realise how much was required to bring the MS to a publication stage. I became wholly sick of saying the words, ‘Is it relevant?’ and remembering the word ‘skim’, as I cut and pared, pasted and dumped, losing whole pages in a moment. After removing 20,000+ words over which I had sweated, the result finally received the precious reward – the assessor’s Letter of Recommendation. In my case, I cannot speak highly enough of Tom Flood. I thoroughly recommend Tom and the tortuous process – now to publish. LoR Passed Publisher 1st Submission Sept 2008. Publisher release Feb 2009. To Steal A Lady now also out on Amazon.com. For twofer special Australian sales: John's link www.jjbarrie.com 'Warrior' by R.E. Phillips.Young Adult Sci-fi Horror.14,121 words. Submission Package Assessment.(FMs-April 08) It was great to receive some constructive comments that I would have otherwise not have considered. I also appreciate your suggestions pertaining to contact details within my intended market, and possible avenues with which to approach prospective publishers and literary agents. I will attend to your suggested amendments and, if okay, contact yourself at a later date to organise a suitable timeframe with which to submit the entire manuscript for your appraisal. Once again, I appreciate your time and comments. 'Elements of Nature' by Jerry Cayzer. Adventure Thriller. 105,000 words. Assessment and Mentor.(FMss Feb 07-April 08)LoR 'After experiencing three other assessment/appraisal firms, and getting nowhere, I chanced to approach Flood Manuscripts. Tom Flood personally became my appraiser and in due course my mentor. He turned out to be everything that others were not. With his painstaking guidance, my mish-mash of genres became a genuine adventure/thriller. We collaborated for a little over a year. After the initial appraisal, Tom seemed to know my story and characters as well as I did, yet he was mentoring three other clients during much of the time. Routinely, he replied to emails within a day, and he warned me on occasions of being unavailable for a few days. He was totally frank, to the extent of being brutal at times, then he would lavish praise (‘bootiful’ for instance) when I made an adjustment that was particularly appealing. I doubt there is anyone to touch Tom Flood.' Secured Agent April '09. Published, AuthorHouse, Nov '09. Also out on Amazon. 'Friends & Pho' by Heather Jacobs. Chick-lit/Romance. 61,627 words. Express Assessment (FMss Feb/Mar 08) Express Submission Package. Assess & Proof. (FMs Jul/Aug 08) 'I called Tom in a panic when I was trying to meet a deadline for an agent's submission for 'Friends & Pho' and needed some sage advice on what I could do to improve the manuscript before sending it out. Thank goodness I did. Once we established that I shouldn't bother trying to win the Booker Prize, Tom put aside any preconceptions he may have about chick-lit/romance and pointed out with good humour what needed to be done to keep it 'on genre' and therefore more likely to get published. His long list of my careless mistakes was a timely reminder of the importance of proofing and taking the time to read the manuscript over and over, again. He also had some great ideas on adding a little more depth to the story by fleshing out minor characters. Expanding on the interactions between the local Vietnamese and the clueless expat lead has been a great satirical device that has made the story richer. I wouldn't hesitate to recommend Tom's services as an objective reader who can instantly see what needs improving and, perhaps more importantly, makes you feel confident enough to do the changes yourself.' 'Jumping Through
Sandcastle Windows' by Malcom Craig. Young Adult Adventure Romance.
118,000 words. Structural Edit and Proof. (FMss - December 07-January
08)
'I can't thank Tom enough for his professional and thorough review of my work. Tom's insightful observations and suggestions for improvement always made perfect sense and added much value and clarity to my manuscript. His vast knowledge and proven track record in the industry always gave me confidence. I took on board all of Tom's suggestions; was always happy with Tom's quick grasp of the bigger picture and whole structure, combined with his honest and technically skilled transparent approach. For anybody serious about improving their writing, I am happy to recommend Flood manuscripts. Thanks Tom.' Passed Agent and Publisher 1st Submission 'The Eleventh Horse'. Period Crime. 98000 words. Assessment (FMss - May 08)LoR 'Unexpected Corollary' by Derek Scales. Period Crime. 81,605 words. Assessment (FMss - April 07)LoR Tom was appalled at my typos, shocked at my punctuation, sickened at the mangled grammar but undaunted, he investigated then highlighted my many continuity and period errors. When I accepted his bang-on comments and made the re-write, his enthusiasm encouraged me to go look at the agent scene, lift up my head a little and get back to the keyboard for a sequel. Phillip Island 9/11/07 Passed Agent 1st Submission Nov 2007 'Servant of the Phrenet, Book 1 of The Quolltellan' by Gayna Denby. Fantasy novel. 101,000 words. Assessment (Flood Manuscripts) June 2007. Submission Copyedit. Sept 2007. LoR It was wonderful to have someone of Tom Flood's calibre read my MS and like it. He read ALL of the MS and understood what the story was about. Tom's suggestions were insightful and he did not expect me to write like Tolkien. I liked that I was able to ask questions about the comments Tom had made. Thanks to Tom I feel I have a professional looking proposal to present to an agent and hopefully they will be as enthusiastic and positive as Tom Flood has been. 'Comrade's Work' by Karen Fairhurst. Children's Picture Book (text only) 141 words. Assessment (Flood Manuscripts - July 2007). Thanks for the report - the analysis and information is very constructive and your upfront overview of Australian publishing is very refreshing . I have many ideas to follow. I would always prefer to illustrate and write, and will now continue to do so. 'Ecklar’s Curse’ by Dale Furse. Fantasy/Science fiction YA novel. 60,000 words. Assessment (Flood Manuscripts - March 2007) Reassessment (July 2007) Proof&Copyedit (Aug 2007)LoR. I’m so glad I sent my ms to Tom. His reading, arguments and comments have helped tremendously in the re-write. He delivered his criticisms with enough humour that I didn’t even feel guilty for my atrocious grammar. I will definitely submit ‘Ecklar’s Curse’ for a re-appraisal. I actually researched editing courses but then (delete then) thought, nah; I’ll send the ms to Tom.' Sept '07 -'Just received your LoR. Wow, thank you so much. You really do have a way with words. If nothing else they will want to read EC. I want to read EC.' Dale's blog link http://dalefurse.blogspot.com/ 'Still Water' + 'Worst Case', Le Mez 4 & 5. Crime Fiction, 58000 & 59000 words. Assessment (Mar-May 2008). 'Rough Justice' + 'Taking Control', Le Mez 2 & 3, Crime Fiction, Assessment (Nov-Dec 2007) LoR. 'Evil Spirits', Crime Fiction, 66,500 words. Assessment (Flood Manuscripts - April 2007) LoR. 'Native Soil', Contemporary Fiction, 66,500 words. Assessment (Nov 2006). 'Gatesworth's Reunion', Crime Fiction, 59,500 words. Assessment (Sept 2006) Re-assessment 64,000 words (Feb 2007) by James Packer. The best sort of assessment comes from someone who hates what you do but admits that you’re right. Tom doesn’t hate everything I do, nor admits 100% that I’m right, but I can’t imagine anyone in Australia, assessor, editor, critic, with a keener eye for bullshit nor a greater determination to see beneath what troubles him about a book. If I’d been published before I met Tom’s brand of assessment, I’d be really missing out. Tom Flood is better than publication. Something they won’t know until they’re published. Also I wanted to say that you’re unlikely to get from any other assessor a whole new novel (fortuitously or nae). 'Overkill'. Crime Thriller. 330,000 words. Assessment. (FMs - August 2007) 'Book 4'. Crime Thriller in progress. 32,000 words. Assessment (FMs - Mar 2007).'Choice & Consequence'. Romantic Suspense. 266,000 words. Assessment (Flood Manuscripts - Jan 2007) Re-assess (June 2007).LoR. By Sharyn Bennett. Having finally worked up the courage to send my completed manuscript in for a professional assessment, after much deliberation, I chose Flood Manuscripts. Tom worked relentlessly through my modern romance story (all 1000 or so pages of it) in great detail and with a thorough understanding of what I was trying to achieve. His comments and criticisms were constructive, positive and immensely helpful, especially his grammatical advice, where my laziness often gets the better of me. The report was very detailed and professional and every page was worthwhile. The suggestions he made were sensible and his attention to detail is what makes the difference. Most of all, his encouragement and enthusiasm were priceless – the kind of feedback that is invaluable to a first time author. I cannot recommend Tom highly enough. He is generous to a fault with his time and advice and his knowledge of the literary world is exceptional. I wouldn’t hesitate to recommend Flood Manuscripts to any aspiring author who wants a constructive, knowledgeable and practical assessment of their work. It is worth every cent! Passed Agent & Publisher 1st Submission Nov 2007 - not quite, Jan 2009. 'Beyond Reasonable Doubt'. Crime. 99,000 words. Assessment (FMs - Sept 2008) 'Rohallion Dawn' by John Ramsay. Realist Contemporary Fiction. 107,000 words. Assessment (Flood Manuscripts - Dec 2006) LoR. It’s never easy working alone, splendidly isolated from the back-patters and encouragers who usually surround people in their working lives. By the end of your final chapter, the mood can be pretty low and self esteem a thing of the past. With that sense of self-doubt, perhaps even dread, I sent my manuscript to Tom Flood. I needn’t have worried. He treated my work with remarkable respect and shook hands with my characters with the easy familiarity of someone who’s known them all his life. Tom knew, without me telling him, what I’d tried to achieve and he produced a detailed report that highlighted what I’d got right and what I’d got wrong. He hit the mark, every time. Longlisted Amazon Manuscript Award, shortlisted Dundee International Book Prize 2009 The Last Whale by Chris Pash. Historical Non-fiction. 57,500 words. Mini-assessment and Structural Edit (Flood Manuscripts - July, August & October 2006)LoR Tom is much more than an editor. He's a mentor and guide. He challenges, cajoles and seeks that little bit extra. The Last Whale, a nonfiction book, needed a lot of fact checking, research and detailed interviews. Tom cut through the cluttter, helping create narrative flow and simple structure while maintaining discipline with facts - Chris Pash. Chris's blog:http://thelastwhale.wordpress.com Fremantle Press, Oct 2008. Shortlisted Frank Broeze Memorial Maritime History Book Prize 2009 'The Nerve Triptych' by Craig Ensor. Postmodern Literary Mystery Fiction. 95,500 words. Assessment (Flood Manuscripts - Oct 2006)LoR. As you know, in writing any novel the author takes on an immense task in
a vacuum of sorts where it is natural to constantly question what you're
doing and why you're doing it. Your report, which clearly appreciates my
intentions and much more, gives me great joy, encouragement and
vindication in undertaking this task. Thank you so much for that. 'Feast of the Bunya'. Pre-settlement Historical Adventure Romance Fiction. 96000 words. Assessment (Driftwood - Oct 2006) “Many thanks for the very promising review of my manuscript. Above all, its restored my confidence, which was inevitably waning after such a long gestation. The suggestions for tidying it up also confirmed and clarified a number of points that I was unsure about. I am now getting back to work with renewed vigour - somewhat lacking of late.Reassessment as 'Under The Weather' 107,640 words.(Nov 2007)LoR. 'In Sickness Land' by Matthew Clouston. Speculative Dystopian Satire Fiction. 95,500 words. Assessment (Flood Manuscripts - Aug/Sept 2006) 'Tom Flood read my manuscript promptly, no small thing, but also thoroughly and carefully. This is what I wanted and exactly what I required (not always the same!). That care and thoroughness led him to make a pertinent and useful assessment. His ideas and comments were sparked by the writing, an enormously satisfying state of affairs! They were also informed by his understanding of the state of publishing which is, I daresay, of equal importance. At all times Tom was generous and helpful, and his service was of great value. 'Syrenna Bloo', Speculative Fiction. 115,000 words. Assessment. (Sept 2007) 'Lizzimania' by Richard Wyatt. Speculative Utopian Romance Fiction. 90,500 words Assessment & Copy Edit (Flood Manuscripts - July and Aug 2006)by Richard Wyatt. I've used manuscript assessors on four previous occasions, including an earlier one on the story I sent Tom, and the feedback I got from his report was far and away the most useful. I'd suggest that too many assessments focus on rearranging the deck chairs rather than which way the boat is headed. Tom is technical where necessary but he starts with an understanding of the book at the deepest level, alongside a realistic sense of what is marketable, and everything rolls out of that. Comments about characters and language and story structure thus relate to what you're trying to achieve and your chances of achieving it, and don't just float around like lost paragraphs from a 'how to write' book. Even if your book needs work and there are some hard truths in the assessment, the way he conveys things will entertain you. I believe they'll also help you. The Messenger', Terrorism Thriller Fiction. 94000 words Assessment (Driftwood - Aug 2006) I was pleasantly impressed with the assessment of my novel.
I have carefully
weighed all the recommendations, which were detailed and comprehensive. I
virtually agree with them all. My
thanks to who so ever had the task of making sense of my ms. 'A Brief Mystery of Time', Young Adult Speculative Fiction in progress. 15000 words & 'Duelling Brains', Sociology Self-help Manual in progress. 30000 words, by Greg Olson-Hyde. Mentorship. (Flood Manuscripts - June and July 2006, March 2007) July: It just makes me happy and encouraged simply to talk to Tom. // June: I sent my beloved text off to Tom Flood with some trepidation - I needn't have worried. Tom was tough where required, and gave credit where due. The positive comments were uplifting and the toughness was very creative and constructive. I now feel much more empowered to continue writing my world changing tome. I am extremely pleased with Tom's concise assessment and encouraging manner. 'So You've Got Back Pain, Now Get A Life' by Dr Blair Neild. Self Help Non-fiction. 67000 words. Assessment (Flood Manuscripts, 2006 In May this year I sent a manuscript to you for assessment, it was about living with chronic pain. Thanks so much for your comments, I found them very constructive and useful. I have finally finished the last round of corrections (I hope) and am about to send it off to a friend for proof reading. Thanks again, you have really helped, not only my manuscript but also the way I write in general. 'Just His Luck' by Judy Fander. Biography. 45000 words Assessment (Driftwood - May 2006) Extremely useful. Suggests 2 extra options for development and
ways to improve existing work for self-publishing. The suggestions
would substantially improve the work for self-publication. 'Heir to Greatness' Historical Fiction. 216000 words Assessment (Driftwood - May 2006) The thorough and intelligent assessment my manuscript received was everything I could have hoped for; I would rate it as excellent. 'Stan' by Chris Harris. Realist Period Fiction. 297000 words Assessment (Flood Manuscripts - Mar 06). Tom: May I say in general how very pleased I was with your report. To explain that remark: I can say, broadly that all your comments were so close to my own thinking that this almost astounded me. You have read the same story I wrote. 'Tales From a Mountain City'. Realist Period Fiction. 79,000 words. Assessment (Driftwood - Dec 2005) Very helpful. I'm glad that all my shortcomings are pointed out to me in a caring, constructive way with understanding and sensitivity. I need this honesty and directness. Turtle Dreaming' by Mike Roberts. Speculative/Mainstream Fiction. 27000 words. Assessment (Manuscripts Online - Sept 05) Structural Edit & Proofing (Flood Manuscripts - Nov 05)LoR Tom Flood read my
manuscript, like no one else ever has. He said he liked it, well some parts
anyway and he was brutally honest about its problems. He is brilliant with grammar, in my case, relentless with comma
usage and conjunctions. His genius as an editor is his ability not to
interfere, at all, with your work. Whilst working with
Tom, who is generous to a fault with his time, I was reminded of James Joyce'
description of the artist in Portrait of the Artist as a Young Man in
that he "…like
the God of the creation, remains within or behind or beyond or above …[your work]… invisible,
refined out of existence...". 'Il Paradiso'. Contemporary Realist Fiction. 50,000 words. Third assessment (Driftwood - Nov 2005) Got
the report, no worries. People have doctored their reports in the
past? Now there's determination for you. Seriously, that's head-shaking
stuff. I'm really happy with this report, half the length of previous
ones but twice as useful: the assessor sounds as if he/she enjoys
what he/she is doing; clarity of comment 'Nightfall'. Speculative Fiction Assessment 57,000 words.(Flood Manuscripts - July 2007) To be published 2010, Germany(Piper) & Australia(HarperCollins). Pilo Family Circus by William Elliott. Speculative (Satirical Horror/Fantasy) Fiction Assessment (Driftwood Manuscripts - Oct 2005) I recall on the brochures sent back with assessment reports that you like to
hear of news of manuscripts that pass through Driftwood. You may or may not have
heard what's become of mine, 'The Pilo Family Circus'. It's won the ABC fiction
award and will be published in October. I want to thank you for such
professional treatment of that work...the
assessment was an important step for me to make that
breakthrough. 'A Final Odyssey'. Travel Memoir/Life Stories. 127000 words. Assessment (Driftwood - June 2005) Very, very useful. It has given me a great deal of confidence + enthusiasm to go on to a final draft - not to mention the useful suggestions. I appreciated the overall assessment in that the assessor had obviously read the manuscript carefully +, in spite of disliking the genre (travel + life experience) was still able to give me a positive + encouraging report. My curiosity plagues me! I would love to know more about the assessor! She (I think it was a she?) has a great sense of humanity which is always a help.
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